This project is a visual study inspired by Farazi’s album Sandığımdan. Instead of illustrating the music literally, I reinterpreted its themes through abstract 3D forms, textures and transformations.

The vinyl, the needle and the turntable become metaphors for memory. They stretch, erode, melt and distort to reflect how emotions change shape over time. The empty landscapes, the lone tree and the muted purple palette create a distant and quiet atmosphere where the album’s tone can breathe.

Technically, the project experiments with procedural deformation, particle erosion and macro-level surface detail to push the boundaries of how a record can behave as a digital object.

It is not a music video. It is a conceptual world built from sound, translated into form.